Past and Present Lies
Dreams of a different life are at the heart of Ursula Fricker’s explosive new novel set against the background of the current refugee crisis. Beba, a sex worker, fled er home country years ago and dreams of a career as a jazz pianist. Isa, a university student in search of meaning, becomes a member of an activist group fighting for refugees’ rights. Otten is a councillor who has to make a decision about the clearance of a refugee camp when some of the inhabitants, including Isa, go on hunger strike.
The lives of the three protagonists overlap at obvious and, occasionally, surprising points. Councillor Otten is Isa’s main opponent in a fight for justice. Otten meets Beba in a jazz club and wants to foster her musical career. Isa and Beba meet without ever fully recognising their connection: Isa’s father is one of Beba’s regular clients. The novel charts the characters’ attempts to follow their dreams of a different life. Only Otten seems to have had enough of dreaming already, having abandoned the idealistic attitudes of his youth in favour of weary pragmatism. As Isa becomes ever more radical in her thinking, the action hurtles towards a violent climax.
Fricker’s style is evocative, brisk, and often haunting, particularly in passages when Beba or Otten reminisce about their past. She cleverly explores different attitudes towards the refugee crisis via her well-drawn and memorable protagonists. Her choice of characters – an immigrant from the Balkans, a disillusioned millennial, and a local politician – give her the opportunity to approach her topic from often surprising angles. Fricker’s nuanced approach is one of the great strengths of Past and Present Lies as she juxtaposes Beba’s personal and, in a sense, apolitical experiences with Otten’s theoretical musings on the old political divide between right and left. To Isa, Otten is a corrupt politician, but Otten is himself conflicted about the right actions to take. Avoiding clichés, Fricker’s characters defy expectations. Beba especially exemplifies a very modern feminist for whom self-determination is the most important goal in life.
This is a thought-provoking yet incredibly readable novel about people who are forced to reconsider their notions of what constitutes right and wrong.
Ursula Fricker was born in Schaffhausen in 1965, studied social work in Berne and worked at a home for the learning disabled and in theatre education. In addition to journalistic texts, she has written three novels, which have received numerous awards and nominations, including a shortlisting for the Swiss Book Prize for Außer sich, in 2012.
Außer sich (2012), Das letzte Bild (2009), Fliehende Wasser (2004)
Liepman AG Literary Agency (Switzerland)
Contact: Hannah Fosh
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Deutscher Taschenbuch Verlag
In summer 1960, eleven major German hardcover publishers – among them C.H. Beck, DVA, Hanser, Insel, Kiepenheuer & Witsch and Piper – decided to set up their very own paperback publishing house. Almost from the beginning, dtv was not only a paperback imprint for hardcover, but also a publisher of original paperback editions. Since 1996, Wolfgang Balk has headed dtv as publisher. He introduced a new visual brand for the house as well as dtv premium, a quality trade paperback in a larger format, exclusively for original and German first editions. Today, dtv is one of the leading paperback publishers in Germany.
The characters are convincing, and the clear language is full of surprising, apt images and a pinch of acidity. A novel about inwardly torn people in the splintered Germany of the present.